Interview: Liberation War Through the Cinematic Lens
Question: 01: How relevant was 1971 for you, both in political and cultural sense?
- Tanvir Mokammel
- November 2021
Question: 01: How relevant was 1971 for you, both in political and cultural sense?
India’s role in the liberation war is often seen through the geopolitical prism. Its response to developments in East Pakistan was complex and evolved over a period of time. Before taking recourse to military action, India exhausted its diplomatic initiatives to draw the attention of the international community to the refugee crisis which arose due to the Pakistan Army-perpetuated genocide – a term first used by India in the Parliament Resolution of 31 March.
The article takes up the political cartoons printed in newspapers, particularly in Bengali from West Bengal to highlight the popular opinion-base they built in support for Bangladesh and the War of 1971 which perhaps brought a new age in Indian foreign policy where military intervention was upheld as a tool for maintaining peace and security in the region.
In the twentieth century, South Asia experienced mass migrations of millions of insecure homeless people twice: it witnessed the Partition-refugees from 1947 and saranarthis during the liberation war of 1971. The Indian State treated the first category as ‘citizen-refugees’, whereas the saranarthis were like temporary shelter-seekers. Among the Northeastern states, Tripura played the most crucial role in providing them with all essential supports.
Bangladesh’s emergence, as a new nation at the height of the Cold War, in 1971, re-drew political borders in the Indian subcontinent. It was one of the most significant geopolitical events of the latter half of the 20th century. India’s ties with Bangladesh have taken great strides in the last decade in comparison to the first 40 years, expanding and strengthening across a wide template of sectors.
It was hot and muggy on 25 March 1971, with nothing to suggest that the day would turn into an ghastly night. The usual no-work gang were lounging around; my brother was washing the family car and the rest were just doing nothing. This included my banker-father who had been transferred to Karachi on the ground that he had given unsecured loans—small ones—to the wretchedly poor, affected by the cyclone of 1970. He had refused to go and taken leave instead.
In March 1971, I was working on an Oxfam-UK supported Gandhian village development project in Bihar, India, where I had been for almost three years. Through the BBC and some sketchy Indian newspaper reports, I learnt about the unrest in Dacca in the early part of March 1971. Sheikh Mujib’s speech of 7 March was well reported by The Statesman newspaper which always reached Gaya from Calcutta one day late. However, nobody was prepared for what would unfold later that month.
“My heart overflows as I come to your beautiful country and to this historic ground. For many years, we had all heard of the beauty of Bangladesh. For many years, we had known about the agony you have suffered, and especially the fierce atrocities of last year. The story of your journey through darkness has moved the hearts of people and brought tears to the eyes wherever people value the human spirit.
The tale of Bangladesh’s liberation war of 1971 cannot be told without the ‘before’ and a bit of the ‘after’ of that year, as it would then turn into a futile exercise in historicism,2 merely, ‘capturing’ that instant of extensive explosion which ascended like the phoenix, while ignoring the intensive seedbed of creative ‘becoming’ from which it arose.
“At first, I remember the students, the labourers, the peasants, the intellectuals, the soldiers, the police, the people, the Hindus and the Muslims of my Bangladesh who were killed. I, wishing for their souls and paying tribute to them, would like to say a few words to you.